Thursday, July 17, 2014

Life Expression - Composition "X" by Wassily Kandinsky

Wassily Kandinsky, the revolutionary artist that is credited with creating the first true abstract painting, had an interesting group of paintings called "Compositions." Although the first three in this series were lost in war, we are able to understand the entire series by the studies left behind in various mediums for the start of the Compositions. The ten works entitled Compositions stretched over four decades of work by the artist and shown his amazing growth towards his goal of being able to express his emotional perceptions through the media of art.

Composition X is immediately different from the other nine- if not solely for the background. In his earlier work, Wassily Kandinsky admitted that he viewed black as being close to death. Later in his work, he began to think of it as a mere stillness or a void of life. Before it was used to define the minority of the canvas but in his last work it helps enhance the color and form of the shapes found swimming it. Wassily Kandinsky has been long moving towards the idea of using shapes as modified representations of simple life forms.

The painting has clear motion as the little life forms swim up and outward. A particularly large one grows like a hot air balloon moving into infinite space. We can assume that this must be space by the look of the lunar like sphere on the left, shining out in the darkness. This lunar shape also helps express Wassily Kandinsky’s new found fondness for positive-negative relationships, shinning the harshest against the black background. Ironically, while it shows his progress forward it also shows us a fondness and return to his past. The figures swimming, recall Russian folk-art paper cut-outs.

By choosing to use the black as the dominant color, Wassily Kandinsky seems to have come full circle. Black is no longer the “inner sound of nothingness” but rather a fair background to allow his thoughts to move freely. Composition X was his final major art statement, but it allowed his development to come full circle, uniting his origins with all the wonderful experience of his life. It went beyond the trends of his time as futurism, cubism and all the work of his other contemporaries, showing his passion for expressing his innermost emotions. In his last statement his becomes to the microscopic in nature, the basic shapes of life that hold no singular meaning and yet compose everything around in brilliant color and pattern.

You have to love what he had to offer, an unmatched talent. Today you will find many young artists creating some fabulous canvas art, hopefully they will go down in history as great artists as well.

Wassily Kandinsky Project X

Mistress Studied - Le Reve by Pablo Picasso

Picasso deserves some credit, especially this painting, "Le Reve." During the height of his career, he realized that no matter what he painted the world would fawn over it. Now, some fewer mortals may have begun to laugh and started to churn out as many works for the hungry masses to gobble up. Picasso though turned back to the art community and started studying what his contemporizes were doing. He then would bring elements of what he learned into this own work- something that traditionally has been known to destroy artist’s careers.

What was even more interesting is that Picasso was willing to adopt elements of paintings styles that had already died and receives little acclaim at the time- as Fauvism. It was called Fauvism as a way to disparage the artists as it meant wild beast; it was a contrast to the civilized men (and their art styles) of the Renaissance.

Le Reve, translated to English as "The Dream," is a large break from his standard style. When people think of Pablo Picasso, you usually get the words ‘cubism’ and ‘blues period’ to pop up after a quick discussion. Cubism, not oddly uses muted colors and squares to depict the world. And his blues period was subjected in heavy realism that was focused on poverty and the despair of the human condition. Picasso can be most widely linked to the human emotion of suffering as well, again from his blues age and his series of paintings of weeping women and the effects of war. Perhaps this is why Le Reve is so fascinating with its bright primary colors, round shapes and erotica elements.

Le Reve interestingly uses a background to link it to the real world. The woman is present in a distinct room, in a chair- unlike the earlier works that were meant to evoke a universal response via a lack of specificity. The woman herself lacks specifics, however. She is milky white with blonde hair, enough of a nod to his mistress, but also a common template that many women can be linked to. She is a poetically nude with half a breast peeking out from her flesh toned clothes, a comment on the natural sexuality of all women. An adornment of civilization, a necklace, mimics her form. And perhaps most interestingly, is her face. At first glance the woman looks like she is reclining her neck and facing the view with both eyes closed; however, focusing on it for a moment reveals that the top half of her face is an erect penis. It is not done to be vulgar but rather a mere extension of her identity. From this painting, it is clear that Picasso did not hold contempt for this woman for being sexual. We can see that she and her sisters were beautiful to this man and the reacts they elicited were as fair as they were.

While Picasso's original Le Reve is obviously unattainable, admirers may obtain Art Wall Le Reve The Dream by Pablo Picasso Rolled Canvas Art through places like Amazon. The world of Art is spectacular, who knows what will evolve in another 100 years. In my opinion however, abstract art rules right now.

Le Reve by Pablo Picasso

Listen to the Loudest Composition - Wassily Kandinsky

Composition VII by Wassily Kandinsky is the most complex of a series of ten paintings produced by the artist in the 1930s. Kandinsky’s years of art and personal education was the fuel for these series. He felt that the artist moves the world forward, testifying to reality and few today and helping the masses move forward with recognition later. The name Composition VII was meant to mimic the musical definition of the word- a deliberate piece in contrast to his earlier improvisations. Over the last few decades, Kandinsky had abandoned lines in an attempt to communicate with the soul similar to the way music did; he was particularly inspired by the work of Richard Wagner. The painting was considered to be Wassily Kandinsky’s most complex work- taking four solid days of painting to finish after creating over thirty drawings, watercolors and oil paintings in preparation for the piece. This was particularly noteworthy as this abstract art piece was produced during World War I when the shortage of even basic necessities made paintings a pure luxury.

Kandinsky’s abstract art series was focused on the idea of creation and distraction. In the center, a circular structure is seen- a form Kandinsky often referred to as being the most like a soul. Around this piece, swirls colors range from black (closure) to gold (new beginnings). The rhythm of the painting is certainly chaotic. Without much repetition in shape or color, the mind has to swirl around the painting hoping to find something to rest on. There are minor notes of rest; dark colors placed next to each other that create small islands of harmony but they are buffeted by opposing colors lapping. Orange clashes with green and the mixes of color are not even complete. The purples for examples are more in the style of pointillism- loose mixtures whose gradient is disturbing to us. But even the chaos is not consistent- they would allow us to rest. There is just enough repetition to prevent the painting from becoming pure chaos- an odd form of consistent order in its own way.

It’s not a simple piece. We cannot easily dissect it as a picture of an apple or human. Without something easily recognizable, it leaves us to only emotions to understand the piece. To me I will always see the birthing pains of creation. The rapid rise of attempted life that dies out just as instantly as it was born. But at the center is something stable- something unique. And although new, it stands in the center of creation, and it will survive. To me, it gives hope that chaos will find an order and that something will remain living in this order rather than cold, sterile order.

wassily kandinsky composition vii

Pablo Picasso - The Variation of a Master

Pablo Picasso is conceivably one of the most well-known artists today and is widely considered to be the founder of the most important art movement of the 20th century- cubism. He also can lay claim to creating a collage and helping define developments in the “plastic” arts: painting, sculpture, printmaking and ceramics. Despite his immense childhood talent, Pablo Picasso was willing for experiments and changed his style and art theory many times during his life, the mark of a modern day master.

Picture of Pablo Picasso
He no doubt owes his lifework in part to his parents. His father was a classical art teacher and gave his son formal art training, often to the detriment of his academic work. Another important landmark in his early years was the death of his sister that prompted him to move and quickly become accepted at an art college at only 13. There he was given an apartment by his father, a teacher at the same school, who kept a close eye over Picasso. His work, like many of the modern greats, is divided into periods based on his style.

His early years are tinted heavily by his father’s demand for him to study classic styles and human anatomy. Although not classic realism, the figures in his early paintings did always have mostly logical anatomy and shading. Later symbolist influence occurred, and he spent a good bit of time painting landscapes in non-natural violet and green tones. When he left for Paris, he experienced extreme poverty, and many of his paintings were burned in his own apartment for warmth. A few cartoons from him survive in a published magazine that depicts the harshness of being poor.

His experience led him into his blues period. During this time, human figures were depicted with more structural anatomy which balanced out the somber coloring. Picasso paid greater detail to signs of human wear, such as wrinkles and thing figures with long hands and barely skin covered bones were put front and center in his works. Gaunt mothers with children were a frequent motif.

The rose period was ushered in by Picasso finding a mistress. He found the warmth in the city of Paris as well, and began painting many circus people. He was accepted into art galleries and as the warmth of human experience came to his canvas, he became less bound by his depiction of the human form.

Cubism followed after a few years of experimentation. Despite being what he is most known for, the period lasted less than half a decade. Picasso would later experiment with more styles until the bombings caused by war returning him back to surrealism.



Wassily Kandinsky - Composition to the Founder

The Russian artist, Wassily Kandinsky, is credited with creating the first abstract works. Kandinsky is unusual among artists as his painting studies began in his thirties after a life of studying law and economics. His entire life as an artist faced severe opposition from communism’s less than pleasant opinions on art, Nazis closing down the school he taught in, and working as an artist during the rationing of World War One. He spent his last years as a French citizen in Paris where he was able to create some of his most prominent art.
Wassily Kandinsky went through six different artistic periods. His youth’s paintings were inspired by regional folklore and his childhood love of colors and theorizing on the symbolism behind them. His earlier works were influenced by the impressionistic style of Monet and often featured broad brush strokes. He was particularly struck by Monet’s haystacks and the fact that the color had taken life beyond the subject, which was almost an afterthought.

After this, he turned down a promising law career and entered art school. He enjoyed the time greatly, considering the period to be one of the easiest in his life. He followed Monet’s example capturing landscapes in wide swaths of bright color. Fauvism had become apparent in these early works. The few examples of humans in his paintings rarely had a hint of the standard skin tone. Humans were mostly absent from his work during this time or when present became almost unimportant details.

After the creation of Blue Rider, a mostly unimportant piece in skill but rather of the direction Wassily Kandinsky would take, his paintings began to move away from lines. It was at this period he started to use musical terms to identify his works, seeking to express his art to the feelings of the soul. He began writing during this time, defending the tenants of abstract painting; he quickly found an audience in the English speaking world for both his written and painted works.

When he returned to Russia, he was able to paint little. During these years, he found the love of his life and experienced harsh rejection in his homeland. Wassily Kandinsky finally decided to leave Russia for Germany due to an invitation to come to the Bauhaus to teach. Here he was able to express his views to students and host workshops to augment his color theory. Geometrical elements began to flourish in his work during this time. This era was highly productive for him until the smearing from the Nazi party and the scariness of the World War ultimately prompted him to leave Germany for Paris.

In the last ten years of his life, Wassily Kandinsky created from his apartment. His geometric shapes eased into softer biomorphic forms, and he returned to the color palette from Slavic art. He also began to experiment with texture- using sand to give a rustic feeling to his paintings. During this time, he merged the thoughts of his earlier periods to create layered works that appealed to the observer’s soul.


Some of Wassily Kindinsky's Most Famous Paintings

Composition X was completed in Paris, France 1939


Painted in Alten, Germany 1925


Painted in Munich, Germany 1913

Using Art in the Bedroom

Our bedroom is a place to enjoy ourselves. It is an extension of who we are. Our bedrooms generally have a more personal feel, while sticking to the design incorporated throughout the rest of the home. Modern bedrooms tend to have fewer pieces of furniture; displaying a clean, non-cluttered look. It is due to this simplistic design that is why contemporary art is such a great choice.

Once you bought your bedroom pieces from a furniture manufacturer, choose your paintings by looking around your room. What colors and shapes do you want to accentuate? You also need to consider size and quantity; how big do you want your abstract pieces and how many pieces do you want to hang? Once you have decided these features, concentrate on what it is you want your art to do. We all know a painting cannot do your vacuuming or cook your dinner, but it can most certainly set a mood. This is more crucial than one may think; you need to feel comfortable in your home. 

Think about what you do in your bedroom; do you want it to be a place where you feel calm? Perhaps energized? Paintings can really affect the vibe in which your room provides. No matter what you choose, make sure that your room is balanced. You want harmony throughout the design; this includes your painting choices. This is why a contemporary painting is such a great option. You can find all types of mood enhancing, calming or lively options. 

Beach Painting on Wall


Take your time while choosing, there is no rush. Do not pick a painting simply because you think it goes well with your bed. You need to enjoy it. After all, that is why art is created.
Don't be afraid to place paintings where you will be able to enjoy them the most. If you spend most of your time facing a specific wall, than place your favorite piece of abstract art there. Some have even been known to place their favorites on their bedroom ceiling. I can see why a picture that brings you a sense of calming would be beneficial to view as you try to sleep.

No matter what abstract painting you choose; make sure it adds enjoyment to your room. You also want a piece that is going to make an impact; whether it be through the color or intensity. Adding splashes of color through an abstract painting, can add a lot to your modern bedroom. Look into contemporary art; you'll be happy you did.

Painting on Wall over bed


Art Decorating Choices for your Home

Many of us spend a substantial amount of time within our living rooms. This area is generally meant to relax, entertain or spend quality time. Before you are able to properly choose a painting to fit your living room; you need to have an idea of what look you're trying to portray. Modern living room furniture is simple; displaying straight edges and straight lines. Since modern living spaces tend to be quite neutral in color; an abstract painting can be the perfect addition.

Within ones living room, color scheme is crucial to the design. Since neutral colors are the preferred choice, bright color variation should be left to a minimum. The maximum recommended vibrant color scheme is around three (maximum) colors, although there are clearly exceptions. Once you decide which colors will accompany your black and white furniture; choose paintings and pieces that compliment the modern design and each other.

The size and color of a painting are the main factors. If a painting is too large it can become overpowering, while a small painting may get lost. Larger wall art tends to be best, especially over the sofa. Just remember that the bigger and brighter the piece, the more room it needs to 'breathe'. Let the painting shine, do not crowd it with other pieces in which do not fit.

If you do have cohesive pieces surrounding a painting, make sure your a focal piece sticks out. Get funky with it; perhaps hang the focal piece on an angle. It will draw your eye to the selected piece.

In the living room, it is a great idea to create an 'accent wall'. This wall may be painted one of your color choices, or it may display a collection of smaller abstract art. Just make sure that there is cohesion; not only across the abstract pieces, but throughout the room. By carefully choosing your abstract painting(s), the selected pieces will make colors throughout the room 'pop'.

Modern living rooms are perfect for abstract canvas art. This is not only because of the neutral color scheme throughout the design, but due to the walls as well. When you have a wall that is white or off-white, it will allow for your paintings to really stand out, as they're intended to do. It is also ideal to have a good amount of light coming into the room. Vivid, bright pictures, will have a much higher impact if they're properly exposed.
Painting on Wall

Painting on Wall